North Noir is posting free weekly installments of Book II of the Detective Eva Naslund series (Angels or Devils). Try to guess whodunit. It might give you a little distraction in this time of plague.
The first installment was posted on May 1, 2020. The installments can be downloaded to your preferred eReader/device or read online. Click HERE for installments.
WIN a FREE Ebook. Can you guess who did it after ten chapters? All the suspects have made an appearance. If you can guess, you’ll win a free eBook when the novel is released. Email your guess to amp-northnoir (at) outlook (dot) com.
Kudos for North Noir I, Bay of Blood:
“A vivid page-turner” ~ Steven Heighton, Governor General’s Award Winner | “Quintessential Canadian mystery” ~ Lesley Choyce, Dartmouth Book Award Winner
To some, crime noir is a subgenre set in grim urban environments, featuring petty criminals and desperate characters, permeated by a sense of disillusionment. I favour a wider lens. In the North Noir (Detective Naslund) series, crime noir is less bleak. It is more like life itself: not always dark, not always light.
Crime noir is linked to film noir, to movies such as TheMaltese Falcon, which was first a novel. In a noir detective novel, the main character is sharp-witted and/or sharp-tongued. No quarter is given. Criminals try to rig the system, but fail.
Of course, noir detectives aren’t lily white. They cross lines, some more egregious than others, which they breach for the sake of efficiency or to apprehend criminals. Noir detectives are crime fiction’s dark angels. They know darkness, but follow the light.
Bay of Blood retells the story of Tom Thomson’s mysterious death.
“There are many clever details in Potter’s Bay of Bloodwith close parallels to Thomson’s life and death (1917). However, Potter takes his readers on a fascinating 21st-century chase, with bells and whistles never dreamt of 100 years ago.” ~ Dr. Sherrill Grace, UBC Killam Professor Emerita and Thomson Scholar.
Why do writers write crime novels? Why do readers read them? We’d have to delve into the DSM (Diagnostic and Statistical Manual of Mental Disorders). 😉 We’d need a thousand hours – no, a million.
Let’s look at things from the reader’s side of the page. That’s what really matters: why readers read, not why writers write. It’s a large question. However, I’m going to take a succinct approach. Crime fiction suffuses the zeitgeist. Crime readers have favourite styles: cozy mystery, private investigator, police procedural, etc. Regardless, they’re all fascinated with one thing. Murder. Why?
I see it as a two-headed compulsion. One, readers want to experience the other side of life: death. Two, they want to experience fear. They crave it, but only fictionally: fear of the unknown, fear of the invader, fear of reprisal, fear of something that will disrupt their life – or end it. Fictionally, of course.
PS: Book sellers claim that everything hinges on sales, i.e., on book buyers. I beg to differ. Buyers are great, but everything hinges on readers. Period. That includes those who borrow from libraries or share a book a dozen times. The more shares (the more readers), the merrier.
Bay of Blood is available from your favourite book vendor. Ebook $3.95 USD; print book $14.95 USD. The print book is sold at select Chapters/Indigo and Coles locations, as well as at indie bookstores. If you prefer online vendors, Bay of Blood print books and Ebooks are available from: