I tend to shy away from making sweeping statements. However, I think I have one that everyone will agree with: The pandemic changed everybody’s life.
Among other things, the pandemic made me rethink what I write. I started looking at a bigger picture. Re detective fiction, I’m working on a new series. The novel I finished during the pandemic doesn’t fit into it. It takes time to scope out a series and to get the pieces – the individual novels – right.
The new series is plugged into the current zeitgeist. Through the guise of fiction, the series will tackle topics like societal greed – without sacrificing the core of detective stories: the whodunit. As for timing, I’m not sure when the first novel will come out. As is its wont, the pandemic “retimed” everything. I’m aiming for next year, but whatever will be will be. Que será, será. I’m on pandemic time.
Recent consumer studies show that book purchases increased during the pandemic and that the Crime/Mystery genre registered the most purchases, more even than Romance.
On my side, since Covid-19 began clobbering the planet in early 2020, I haven’t been reading much mystery/detective fiction. I’ve been digging into non-fiction, mostly history and science. With a death pall on the land, grisly murders didn’t grab me. As for writing detective fiction, more on that in a future post.
Now that Covid-19 is a smaller scourge — in my locale, that is — I’m back to reading mystery/detective novels. Although whodunits revolve around murder, most aren’t hung up on death. The plots explore everything under the sun. They portray all aspects of humanity, from the positive to the negative. They are good and evil incarnate.
So, I’m back at it, checking out the “deadly” genre. I wonder how it will reflect the new zeitgeist. What’s going on out there? Uncertainty and innovation, to name a few things. And murder, of course. It would take more than a pandemic to rid the planet of murder, not to mention murder mysteries and romances. Read on, dear reader, whatever your favourite genres.
Not so long ago, nouns didn’t double as verbs. You didn’t gift a book. You gave one. 😉 But grammar evolves. It’s 2020. It’s the Holidays too. To give a book is to give a window into another world.
Here are three titles I recommend:
Feel Free by Zadie Smith, 2018. Thirty-one engaging essays, ranging from pieces about Smith’s homeland (England) to literature, dance, art, and popular culture. Smith is a rare writer: although she’s erudite and lofty, her prose is warm and inviting. I’d love to have a conversation with her – on any topic.
Ridgerunner by Gil Adamson, 2020. A 2020 Giller Prize finalist; sequel to The Outlander, a Giller Prize finalist in 2012.
In Ridgerunner, Adamson entwines two genres – mystery and western – to create a captivating morality tale. The characters inhabit a Wild West that’s both lost and still with us.
Last but not least, my crime pick:
Exit Music by Ian Rankin, 2007. As I did last year, I’m suggesting a novel by Rankin, the King of Scottish Noir. Although Rankin has written many recent novels, I rate Exit Music above them. It’s the seventeenth Inspector Rebus novel. Rebus is three days from retirement but he’s not going out with a whimper. Ach, nae, not John Rebus. He revels in righting wrongs.
Who’s the King of Scottish Noir? Ian Rankin. Hands down. Some might say Robert Louis Stevenson, who wrote Strange Case of Doctor Jekyll and Mr Hyde in 1886, but I see him as the father. In any case, Rankin’s noir output far surpasses that of Stevenson.
Take Rankin’s Inspector Rebus opus. John Rebus is a hard-edge, no-nonsense police detective with a philosopher’s head and heart. He doesn’t always play by the rules. He doesn’t suffer fools gladly.
In the Rebus novels, mostly set in or near Edinburgh, Rankin deploys banter to counter the bleak reality of Scottish crime. He portrays tough criminals who are tougher men. The cops who hunt them are just as tough. Aye, but there’s humour too, of the Scottish ilk. Gruff, understated and, given the juxtaposition, doubly funny.
At times, the plotting and crime MOs seem over-the-top. Some readers find the storylines overly bleak and depressing. They are cut from the cloth of real life. If you read a Rankin novel, you’ll get punched in the gut, you’ll rail at what humans do to humans. However, if you’re like me, you’ll keep reading. Ye can’nae stop. The King of Scottish Noir will hook you.
See Wikipedia for more on Ian Rankin and his twenty-plus Rebus novels.