From autocrats to plutocrats to the guy next door, everyone is lying. ‘What about novelists, AMP?’ Absolutely, without a doubt. But they’re not lying to hoodwink us. Rather, they’re lying to create fiction, to entertain us.
An earlier North Noir post noted that every work of fiction sits on a fact-fiction continuum. On one end of the continuum there is pure fact; on the other, pure invention. Much of any novel sits somewhere in between. Take Silver Moon Rising (Detective Bourque Book Two). What facts bleed into its fiction? The main murderee, Daniel John Fitzgerald (Dan-Dan), is loosely based on John Fitzgerald Kennedy Jr. (John-John), who died tragically in a 1999 plane crash. Dan-Dan Fitzgerald’s best friend, Chase Heaney, is loosely based on Paul Watson of Greenpeace. However, the resemblances are, as they say, incidental. Fitzgerald and Heaney are characters in a whodunit – aka, an entertainment with teeth.
Silver Moon Rising probes political activism and loss, not only the loss of human lives, but the impending loss of an entire species — the right whale. New Englanders have been coming to terms with whale mortality for centuries, as evinced by Herman Melville’s Moby Dick (1851). In Melville’s tale, when humans and whales collide, things unravel. As they do in Silver Moon Rising.
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