Bay of Blood: Tom Thomson Redux

Kudos for Bay of Blood: “A vivid page-turner” ~ Steven Heighton, Governor General’s Award Winner | “Quintessential Canadian mystery” ~ Lesley Choyce, Dartmouth Book Award Winner

Tom Thomson is a Canadian myth, a national icon. The famous painter died mysteriously in Canoe Lake, Algonquin Park, Ontario on July 8, 1917. The famous Canadian painter in Bay of Blood dies on July 8, 2017. Like Thomson, he often paints from out on the water, in his case from a sailboat, not a canoe. He’s part of an artist’s collective called the Gang of Eight, not the Group of Seven. His small skiff is named ‘West Wind,’ after Thomson’s most famous painting. So, there are references to Tom Thomson, but the famous painter in Bay of Blood is not Thomson.

Given Thomson’s iconic status, I didn’t want to meddle with his memory. Also, and this was very important to me, I didn’t want to offend his family in any way. I want him to rest in peace at Leith United Cemetery, or perhaps Canoe Lake. To this date, there’s no consensus as to where he’s buried.

Incidentally, when Thomson painted from his canoe, he used an easel-like device attached near the bow that held an 8×10-inch wood panel. He’d paint the panels very quickly, with minimal brushstrokes. It was his way of capturing scenes that would later be turned into full-size canvases in his winter studio. In essence, it was like today’s painter photographing a scene prior to painting it.

Leaving all that aside, I borrowed from the Tom Thomson myth. I didn’t fictionalize the man. I fictionalized the myth. I took elements from the myth and reshaped them. For example, Thomson is considered the Father of Canadian Painting. The famous painter in Bay of Blood leads a 21st century art movement that presents Canada to the world.

However, for the most part, I created new elements. I wrote a murder mystery about a painter called Thom Tyler, a TT Number 2, who, admittedly, is a Thomson Redux. But he’s soon dead.

Bay of Blood is narrated by an OPP (Ontario Provincial Police) detective based in the Bruce Peninsula. Detective Sergeant Eva Naslund is half Swedish and half Scottish-Canadian. Her father is from Sweden; her mother, from the Bruce.

Eva Naslund operates in a largely male domain, the jurisdiction of homicide. She goes to work with a homicide team who arrive in the Bruce from OPP Central in Orillia. They find no useful blood or DNA evidence, and no prints – no footprints, bootprints, or fingerprints. Nothing.

They turn to financial forensics. Tyler’s paintings are worth millions, yet he’s deeply in debt to banks and his art agent. As with many artists, he doesn’t get much when his work is sold. His agent gets the lion’s share.

Here’s a peep into the novel from Doctor Sherrill Grace, a UBC Professor and a Thomson scholar: “There are many clever details in Potter’s version of events with close parallels to Tom Thomson’s life and death. However, Potter takes his readers on a fascinating 21st-century chase, with bells and whistles never dreamt of one hundred years ago: cell phones, female detectives, Russian operatives, and shady Toronto art dealers. Whether or not you follow the Thomson saga, you’ll relish Bay of Blood’s new take on events.”

Thank you, Doctor Grace.

For Eva Naslund, working in the male homicide domain is tricky. The old-boy network throws a few spanners her way. But she rolls with the punches, giving back as good as she gets. She’s quick on her feet, she’s feisty. However, bottom line, she toes the line. For the good of the investigation and the good of her community – the Bruce Peninsula – she’s a team player. That’s not a spoiler alert. But this may be. Thom Tyler is not the only dead body in the novel.

Okay. No More. You know the saying. If I tell you any more, I’ll have to kill you. Well, in a book.

I’ve included a short excerpt from Bay of Blood, from an article about Tyler’s death:

Mr. Tyler, one of Canada’s most celebrated painters, was especially fond of nature. He traversed the Great Lakes for months at a time in a sailboat outfitted with an artist’s studio, in search of what he called the lost soul of Canada ….

Bay of Blood selected for submission to the ITW 2020 Thriller Award Contest

Bay of Blood was selected by Black Opal Books for submission to the 2020 ITW (International Thriller Writers) Thriller Award Contest [Best Paperback Original Novel Category]

Author Event & Signing, Chapters Indigo Bookstore, Hillcrest Mall, North York, ON. August 24, 11:00 AM – 3:00 PM.

Saturday August 24, 2019. 11:00 AM – 6:00 PM.

Author Event & Signing at Chapters Indigo Bookstore, HILLCREST MALL, NORTH YORK, ON. 9350 Yonge St. Unit Y010. Directions | Website

Author Talk & Signing, Wasaga Beach Library, Wasaga Beach, ON. Monday August 12, 6:00 PM

Author Talk & Signing at Wasaga Beach Public Library, WASAGA BEACH, ON. 120 Glenwood Drive. Directions | Website

Yorkshire Noir – The Inspector Banks Series

English-born Peter Robinson crossed the pond for a new life in Canada. However, his Inspector Alan Banks novels are set in the UK. The police procedural and forensic details turn on detective work in the Yorkshire Dales. And those details are spot on.

As the series opens, Banks has recently left London Metropolitan Police and the big city, seeking a quieter life in Yorkshire. He doesn’t find it. The Dales may be a long way from London (by English standards, not Canadian), but they are teeming with fictional murder and mayhem. Banks is a busy sleuth, a divorcee who loves women, but has no luck finding true love.

Robinson deploys multiple narrative points-of-view, featuring criminals plus various detectives, mainly Alan Banks, Annie Cabbot (a former Banks love interest) and Winsome Jackman. The novels are expertly plotted and delivered with a descriptive eye. The early books in the series are cozier in tone, while the later books are harder, an Eight out of Ten on the Noir Scale, with Ian Rankin being a Nine-point-Five.

Although Robinson is known for his police procedural details, if you dig deeper, the main element in his writing is human psychology (cop and criminal). As an aside, I’d say that psychology is the main element in most crime writing, if not all. The difference between the crime subgenres is mainly due to the way that characters are portrayed – both cops and criminals – as well as the bloodiness of the killings. A cozy is soft and humane, and, at the other end of the subgenre spectrum, a black crime novel is at times almost inhuman.

Robinson doesn’t shy away from descriptive prose. His plots are firmly set in place and time. A deep sense of grounding makes his fiction appear to be fact, which is what all crime novels need.

When I want a winning combination of police procedural details, detective personality, and descriptive prose, I turn to Peter Robinson. As alluded to above, he’s not as noir as Ian Rankin. Nor is he as cozy as Agatha Christie or P.D. James. He hits a sweet spot in between.

Postscript: Standby for reviews of individual Banks novels.

https://en.wikipedia.org/wiki/Peter_Robinson_(novelist)

A few excerpts from the Banks opus ….

On the optimum time window to solve a murder:

Traditional police wisdom is that if a case doesn’t yield leads in the first 24 hours, everyone is in for a long haul. That time period could run to 30, 36 or 48 hours. That’s the problem. When do you scale down your efforts? The answer: You don’t.

A short “history lesson,” delivered by an ex-copper Banks knows [I’ve shortened the quote]:

“The first detectives came from the criminal classes. They were equally at home on either side of the law. Jonathan Wild, the famous thief-taker, for example. Half the time he set up the blokes he fingered. And back then, the days you’re asking about, I think we were a bit closer to our prototypes than the office boys we seem to have on the force today, if you’ll pardon my criticism. Now, I’m not saying that I was ever a crimo myself, but I lived close enough to the line at times to know what a thin line it is, and I was also close enough to know how they thought. I could think like them. I could’ve easily used my street smarts for criminal purposes ….” He let the sentence trail.