Bay of Blood retells the story of Tom Thomson’s mysterious death.
“There are many clever details in Potter’s Bay of Blood with close parallels to Thomson’s life and death (1917). However, Potter takes his readers on a fascinating 21st-century chase, with bells and whistles never dreamt of 100 years ago.” ~ Dr. Sherrill Grace, UBC Killam Professor Emerita and Thomson Scholar.
Saturday October 12, 2019. 11:00 AM – 4:30 PM.
RETURN ENGAGEMENT. Author Event & Signing at Chapters Indigo Bookstore, HILLCREST MALL, NORTH YORK, ON. 9350 Yonge St. Unit Y010. Directions | Website
“Bay of Blood is a vivid page-turner of a procedural – and one that promises more from both its writer, A.M. Potter, and its feisty protagonist, Sergeant Eva Naslund.” Steve Heighton, Governor General’s Award Winner | Author of The Nightingale Won’t Let You Sleep, The Dead Are More Visible and more
Bay of Blood is also available from your favourite book vendor. Ebook $3.95 USD; print book $14.95 USD. The print book is sold at select Chapters/Indigo and Coles locations, as well as at indie bookstores. If you prefer online vendors, Bay of Blood print books and eBooks are available from:
Amazon.ca | Amazon.com | BarnesandNoble | Smashwords | KOBO | Black Opal Books | iTunes | Scribd | ChaptersIndigo
Author Talk & Signing at Wasaga Beach Public Library, WASAGA BEACH, ON. 120 Glenwood Drive. Directions | Website
“What is North Noir?” In short, it’s a distinctly Canadian crime series, aka Canuck Noir.
The North element refers to how the world sees Canada – as the North; e.g., the Great White North or the True North (strong and free). The novels are set in the northern Bruce Peninsula, Ontario. The victims are contemporary Canadian icons. While they may be famous, they’re also down-to-earth. Good Canadian sorts. But not too good to die. The police procedural work is typically Canadian. There are no extended car chases, helicopter missions, or gun battles. No over-the-top Hollywood clichés. Those things rarely happen here.
The Noir element refers to a tradition of crime writing linked to film noir, to movies such as The Maltese Falcon, which was first a novel. Noir fiction doesn’t dwell on characters’ feelings. Similarly, in the North Noir series, the protagonist, Detective Eva Naslund, is not sentimental, although she is intuitive.
The crime/mystery genre turns on whodunit puzzles. Readers expect to be both challenged and entertained. With the Naslund novels, I deliver more than puzzles and blood and guts. I always embed – very deeply (no preaching) – an existential conundrum in my novels. The majority of murders hinge on money. In a word, greed. In my current work-in-progress (the second North Noir novel), the main murderee is killed because of his renunciation of money, his anti-greed. Readers get a baffling puzzle, and, if they’re looking, they’ll find a deeply buried ethical message. For me, all novels – even whodunits – should have an existential core.