The Gift of the Gab: Tana French

During the course of 2021, I discovered a fine Irish-American novelist: Tana French, who writes literary detective novels set in or near Dublin (the Dublin Murder Squad series).

French’s dialog delivers the magic elixir of story-telling: presence. She can capture the essence of a character with a line or two of craic (conversation). She has the gift of the gab; like Elmore Leonard, her dialog will hook you.

French’s latest book, The Searcher (2020), is a stand-alone novel featuring retired cop Cal Hooper, a sympatico Yank who has washed up in the west of Ireland, looking to leave the mean streets of Chicago behind. Hooper worked Missing Persons in Chicago; as luck would have it, he becomes embroiled in a local misper case.

The story unfolds in rural Ireland, sans a slew of high-octane car chases or bloody gun battles. However, there’s no lack of drama. If you like stories told with a slow burn, yet plenty of flareups along the way, The Searcher is for you. If you want a policier with forensics and hardened criminals, look for French’s Dublin novels.

Tana French on Wikipedia: https://en.wikipedia.org/wiki/Tana_French

Dark Angels

To some, crime noir is a subgenre set in grim urban environments, featuring petty criminals and desperate characters, permeated by a sense of disillusionment. I favour a wider lens. In the two North Noir series, crime noir is less bleak. It is more like life itself: not always dark, not always light.

Crime noir is linked to film noir, to movies such as The Maltese Falcon, which was first a novel. In a noir detective novel, the main character is sharp-witted and/or sharp-tongued. No quarter is given. Criminals try to rig the system, but fail.

Of course, noir detectives aren’t lily white. They cross lines, some more egregious than others, which they breach for the sake of efficiency or to apprehend criminals. Noir detectives are crime fiction’s dark angels. They know darkness, but follow the light.

Crime Time: A Two-headed Compulsion

Why do writers write crime novels? Why do readers read them? We’d have to delve into the DSM (Diagnostic and Statistical Manual of Mental Disorders). 😉 We’d need a thousand hours – no, a million.

Let’s look at things from the reader’s side of the page. That’s what really matters: why readers read, not why writers write. It’s a large question. However, I’m going to take a succinct approach. Crime fiction suffuses the zeitgeist. Crime readers have favourite styles: cozy mystery, private investigator, police procedural, etc. Regardless, they’re all fascinated with one thing. Murder. Why?

I see it as a two-headed compulsion. One, readers want to experience the other side of life: death. Two, they want to experience fear. They crave it, but only fictionally: fear of the unknown, fear of the invader, fear of reprisal, fear of something that will disrupt their life – or end it. Fictionally, of course.

PS: Book sellers claim that everything hinges on sales, i.e., on book buyers. I beg to differ. Buyers are great, but everything hinges on readers. Period. That includes those who borrow from libraries or share a book a dozen times. The more shares (the more readers), the merrier.

Bay of Blood: Tom Thomson Redux

Kudos for Bay of Blood: “A vivid page-turner” ~ Steven Heighton, Governor General’s Award Winner | “Quintessential Canadian mystery” ~ Lesley Choyce, Dartmouth Book Award Winner

Tom Thomson is a Canadian myth, a national icon. The famous painter died mysteriously in Canoe Lake, Algonquin Park, Ontario on July 8, 1917. The famous Canadian painter in Bay of Blood dies on July 8, 2017. Like Thomson, he often paints from out on the water, in his case from a sailboat, not a canoe. He’s part of an artist’s collective called the Gang of Eight, not the Group of Seven. His small skiff is named ‘West Wind,’ after Thomson’s most famous painting. So, there are references to Tom Thomson, but the famous painter in Bay of Blood is not Thomson.

Given Thomson’s iconic status, I didn’t want to meddle with his memory. Also, and this was very important to me, I didn’t want to offend his family in any way. I want him to rest in peace at Leith United Cemetery, or perhaps Canoe Lake. To this date, there’s no consensus as to where he’s buried.

Incidentally, when Thomson painted from his canoe, he used an easel-like device attached near the bow that held an 8×10-inch wood panel. He’d paint the panels very quickly, with minimal brushstrokes. It was his way of capturing scenes that would later be turned into full-size canvases in his winter studio. In essence, it was like today’s painter photographing a scene prior to painting it.

Leaving all that aside, I borrowed from the Tom Thomson myth. I didn’t fictionalize the man. I fictionalized the myth. I took elements from the myth and reshaped them. For example, Thomson is considered the Father of Canadian Painting. The famous painter in Bay of Blood leads a 21st century art movement that presents Canada to the world.

However, for the most part, I created new elements. I wrote a murder mystery about a painter called Thom Tyler, a TT Number 2, who, admittedly, is a Thomson Redux. But he’s soon dead.

Bay of Blood is narrated by an OPP (Ontario Provincial Police) detective based in the Bruce Peninsula. Detective Sergeant Eva Naslund is half Swedish and half Scottish-Canadian. Her father is from Sweden; her mother, from the Bruce.

Eva Naslund operates in a largely male domain, the jurisdiction of homicide. She goes to work with a homicide team who arrive in the Bruce from OPP Central in Orillia. They find no useful blood or DNA evidence, and no prints – no footprints, bootprints, or fingerprints. Nothing.

They turn to financial forensics. Tyler’s paintings are worth millions, yet he’s deeply in debt to banks and his art agent. As with many artists, he doesn’t get much when his work is sold. His agent gets the lion’s share.

Here’s a peep into the novel from Doctor Sherrill Grace, a UBC Professor and a Thomson scholar: “There are many clever details in Potter’s version of events with close parallels to Tom Thomson’s life and death. However, Potter takes his readers on a fascinating 21st-century chase, with bells and whistles never dreamt of one hundred years ago: cell phones, female detectives, Russian operatives, and shady Toronto art dealers. Whether or not you follow the Thomson saga, you’ll relish Bay of Blood’s new take on events.”

Thank you, Doctor Grace.

For Eva Naslund, working in the male homicide domain is tricky. The old-boy network throws a few spanners her way. But she rolls with the punches, giving back as good as she gets. She’s quick on her feet, she’s feisty. However, bottom line, she toes the line. For the good of the investigation and the good of her community – the Bruce Peninsula – she’s a team player. That’s not a spoiler alert. But this may be. Thom Tyler is not the only dead body in the novel.

Okay. No More. You know the saying. If I tell you any more, I’ll have to kill you. Well, in a book.

I’ve included a short excerpt from Bay of Blood, from an article about Tyler’s death:

Mr. Tyler, one of Canada’s most celebrated painters, was especially fond of nature. He traversed the Great Lakes for months at a time in a sailboat outfitted with an artist’s studio, in search of what he called the lost soul of Canada ….

Bay of Blood selected for submission to the ITW 2020 Thriller Award Contest

Bay of Blood was selected by Black Opal Books for submission to the 2020 ITW (International Thriller Writers) Thriller Award Contest [Best Paperback Original Novel Category]