Elmore Leonard lived most of his life in Detroit, a working-class city, a ‘waste-not, want-not’ city. It’s no surprise he didn’t waste words in his fiction. Papa (Ernest) Hemingway is regarded by many as the ‘Father of Succinct Prose’: few adjectives, fewer adverbs. If Hemingway is the father, Leonard is the first son. In my view, he’s more Hemingway than Hemingway.
Leonard isn’t a traditional mystery writer. He doesn’t focus on sleuths trying to solve crimes. Instead, he delivers what I call Crime + Suspense. He keeps you guessing. You know the ‘hoods’ in his novels are going to pull a heist or execute a hit, but you don’t know how or when they’re going to do it.
Leonard generally writes from the point-of-view (POV) of criminals. In Get Shorty, for example, he creates an ambiance that sympathizes with – if not glamorizes – the criminal world.
As an aside, the majority of mystery novels feature detective leads, not criminal leads. When mystery authors use a murderer’s POV, to keep the whodunit in play they hide the murderer’s deepest thoughts – thoughts of murder. I’m not a big fan of using a murderer’s POV in a mystery novel. Not that it can’t work. An author can be inside a murderer’s mind, but not reveal everything that’s going on in there. Or, if the author reveals who the murderer is, they can keep the reader on the hook by slowly unveiling the how and why. In a sense, they deliver a howdunit.
Back to Elmore Leonard. He often presages what will happen near the start of a book, and then unravels how it happened. He knows how to tell a story: clean and fast, with lots of snappy dialog. That’s the signature of an Elmore Leonard novel. It’s noir, just not mystery noir.
https://en.wikipedia.org/wiki/Elmore_Leonard
A few excerpts from the Leonard opus ….
A male character called Foley to Dawn:
“Tell me, what is it about a girl’s navel? It catches the eye and won’t let go.”
“I suppose,” Dawn said, “because it’s right in the middle of the playground.”
Two “criminal” characters:
“I’m saying we’re all friends,” Frank said. “Kindred spirits. Birds of a feather.”
“Man,” Sportree said, “you need some new words.”
North Noir 
[…] of a character with a line or two of craic (conversation). She has the gift of the gab; like Elmore Leonard, her dialog will hook […]
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[…] prose is inventive, but it’s often overdone. He’s certainly no Hemingway, limiting adverbs and adjectives. On the contrary, Amis wields them like a boxer, at times jabbing, […]
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