Gifting Books: The 2020 Holidays

Not so long ago, nouns didn’t double as verbs. You didn’t gift a book. You gave one. 😉 But grammar evolves. It’s 2020. It’s the Holidays too. To give a book is to give a window into another world.

Here are three titles I recommend:

NON-FICTION

Feel Free by Zadie Smith, 2018. Thirty-one engaging essays, ranging from pieces about Smith’s homeland (England) to literature, dance, art, and popular culture. Smith is a rare writer: although she’s erudite and lofty, her prose is warm and inviting. I’d love to have a conversation with her – on any topic.

FICTION

Ridgerunner by Gil Adamson, 2020. A 2020 Giller Prize finalist; sequel to The Outlander, a Giller Prize finalist in 2012.

In Ridgerunner, Adamson entwines two genres – mystery and western – to create a captivating morality tale. The characters inhabit a Wild West that’s both lost and still with us.

Last but not least, my crime pick:

Exit Music by Ian Rankin, 2007. As I did last year, I’m suggesting a novel by Rankin, the King of Scottish Noir. Although Rankin has written many recent novels, I rate Exit Music above them. It’s the seventeenth Inspector Rebus novel. Rebus is three days from retirement but he’s not going out with a whimper. Ach, nae, not John Rebus. He revels in righting wrongs.

Windows into Other Worlds

To give a book is to give a window into another world. Even if I like a particular author, I rarely give one of their books blindly, without first reading it.

Books are entirely subjective. You never know if a book will satisfy someone or, better yet, thrill them. You can’t say, “I love this, you better too.” But you can give what you’ve read and admired.

Here are some titles I recommend (most are recent):

NON-FICTION

Figures In A Landscape by Paul Theroux, 2018. Essays for all seasons, from travel pieces to literary criticism to profiles of Elizabeth Taylor, Oliver Sacks, and Robin Williams. Full disclosure: One, I skimmed a few non-travel essays that didn’t grab me. Two, I’m not a fan of any of Theroux’s fiction.

The Rub of Time by Martin Amis, 2018. Essays and Reportage, 1994-2017. A smorgasbord of Amis treats, mostly literary or political, with topics ranging from Saul Bellow to Donald Trump. Amis is regarded by some as the Bad Boy of Brit Lit. They say he’s crass. I say he’s entertaining. Full disclosure: One, I skimmed a few of the almost 50 essays; they weren’t in my wheelhouse. Two, I find Amis’s latest fiction unrewarding.

{As an aside, I feel no compunction to read everything that comes my way – even if it is supposed to be “good for me” or part of the canon.}

FICTION

The Testaments by Margaret Atwood, 2019. 2019 Booker Prize Co-winner. Sequel to The Handmaid’s Tale. Clear-eyed, sardonic, accessible. Atwood doesn’t aestheticize The Testaments. The narrative is straightforward. As with all good novels, the prose is subservient to the plot.

Last but not least, my crime pick:

Standing In Another Man’s Grave by Ian Rankin, 2012. One of my favourites from the King of Scottish Noir. Rankin delivers brilliant banter and black humour wrapped in a cracking whodunit.