Author: A.M. Potter

Author of North Noir Detective Fiction.

Movies vs. Books

A.M. Potter2 Comments

Devoted book lovers always rank books above movies. But are movies ever better than the books they’re based on? Consider a case from Swedish noir: Stieg Larsson’s Millennium Trilogy (aka, the Dragon Tattoo Trilogy).

The books were a sensation. No debate there. However, the movies were far better (the three versions shot in Sweden). They have depth and complexity. As critics like to say, they live and breathe. You see the dark side of Swedish life. You feel Lizbeth Salander’s anger and disgust. And when you read the books? You don’t.

The English translations feel plodding and mundane. Relatively speaking, the books are dead wood. I’ll never read them again. However, I will watch the movies again. Movies: Three. Books: Zero. A lopsided win. And a shutout, as we Canucks say.

PS: IMHO, the Dragon Tattoo Trilogy is an exception. Books usually win. 😉

A little winter levity: Why Aren’t Your Novels set in the Winter? They’re Supposed to be NORTH Noir

A.M. Potter1 Comment

The first North Noir novel (Bay of Blood) is set in the summer; the second (The Color Red), in the spring; the next one, due out in 2024, in the fall. “Why no winter settings?” you ask. “No blizzards? No frozen bodies? It’s supposed to be NORTH noir.” Valid point. However, I have a reason – based on research. Well, on observation.

Not as many murders take place in the winter. “Why?” Because it’s winter. In the north, outside the cities, life slows down. Think human hibernation.

“Are you telling me that murderers are huddled next to their fireplaces? That it’s too cold to go out and kill someone?” Maybe. Hell, sometimes it’s too cold to go outside, period. Besides, murderers can’t risk harming their weapons. Take an axe. If you overuse it chopping wood, it’ll be too dull to whack someone. Consider a shovel. If you break the handle trying to clear ice, it won’t be available to crack someone on the head – a dozen times, of course (we’re talking noir, people). As for a shotgun, if you try to fire it at Minus-30, the barrel will explode or it’ll backfire. Forget about rendering it useless for murder. You’ll be dead yourself.

Off-the-beaten Track

A.M. PotterLeave a comment

Under The Holy Lake by Ken Haigh, 2008. University of Alberta Press.

Reviewed by A.M. Potter. ® 2019.

Those who know me, know I’m a big fan of travelogues featuring distant lands. Few countries are as remote as Bhutan.

Under The Holy Lake presents a captivating memoir of two years in Bhutan. The prose is polished and whip-sharp. The author, Ken Haigh, is thoughtful and learned without being pedantic. The memoir is entertaining, at times light and effusive, yet also profound and intensely satisfying. What does it say?

Go to Bhutan. (Or, if not Bhutan, any place off-the-beaten track.) Live there, work there. If you can go when you’re young, all the better. It will stay with you for the rest of your life. Approach the new land slowly. Accept it warts et al; in the case of Bhutan, torrential rain, foot-long poisonous centipedes, and confusing social mores, to name a few.

Haigh certainly accepted it. His time as a teacher in Khaling, Eastern Bhutan, is a study in cultural adaptation, always a long and arduous road, and not always successfully traversed. He came to cherish Khaling – the valley under the holy lake – and the Bhutanese people. I won’t elaborate on the book’s narrative trajectory. I rarely do. Instead, I’ll say: “Read for yourself.” Experience the real Bhutan, from a to z: ara (corn-mash whisky) to zhugcho (please, sit).

PS: Haigh tells of two years in the late 1980s. Of course, places never stay the same. Bhutan is still 12,000 km from central Canada, but it is no longer distant in time. No place is.

Click to view Under The Holy Lake.

Windows into Other Worlds

A.M. PotterLeave a comment

To give a book is to give a window into another world. Even if I like a particular author, I rarely give one of their books blindly, without first reading it.

Books are entirely subjective. You never know if a book will satisfy someone or, better yet, thrill them. Regardless, here are some titles I recommend (most are recent):

NON-FICTION

Figures In A Landscape by Paul Theroux, 2018. Essays for all seasons, from travel pieces to literary criticism to profiles of Elizabeth Taylor, Oliver Sacks, and Robin Williams. Full disclosure: One, I skimmed a few non-travel essays that didn’t grab me. Two, I’m not a fan of any of Theroux’s fiction.

The Rub of Time by Martin Amis, 2018. Essays and Reportage, 1994-2017. A smorgasbord of Amis treats, mostly literary or political, with topics ranging from Saul Bellow to Donald Trump. Amis is regarded by some as the Bad Boy of Brit Lit. They say he’s crass. I say he’s entertaining. Full disclosure: One, I skimmed a few of the almost 50 essays; they weren’t in my wheelhouse. Two, I find Amis’s latest fiction unrewarding.

{As an aside, I feel no compunction to read everything that comes my way – even if it is supposed to be “good for me” or part of the canon.}

FICTION

The Testaments by Margaret Atwood, 2019. 2019 Booker Prize Co-winner. Sequel to The Handmaid’s Tale. Clear-eyed, sardonic, accessible. Atwood doesn’t aestheticize The Testaments. The narrative is straightforward. As with all good novels, the prose is subservient to the plot.

Last but not least, my crime pick:

Standing In Another Man’s Grave by Ian Rankin, 2012. One of my favourites from the King of Scottish Noir. Rankin delivers brilliant banter and black humour wrapped in a cracking whodunit.

Crime Time: A Two-headed Compulsion

A.M. Potter1 Comment

Why do writers write crime novels? Why do readers read them? We’d have to delve into the DSM (Diagnostic and Statistical Manual of Mental Disorders). 😉 We’d need a thousand hours – no, a million.

Let’s look at things from the reader’s side of the page. That’s what really matters: why readers read, not why writers write. It’s a large question. However, I’m going to take a succinct approach. Crime fiction suffuses the zeitgeist. Crime readers have favourite styles: cozy mystery, private investigator, police procedural, etc. Regardless, they’re all fascinated with one thing. Murder. Why?

I see it as a two-headed compulsion. One, readers want to experience the other side of life: death. Two, they want to experience fear. They crave it, but only fictionally: fear of the unknown, fear of the invader, fear of reprisal, fear of something that will disrupt their life – or end it. Fictionally, of course.

PS: Book sellers claim that everything hinges on sales, i.e., on book buyers. I beg to differ. Buyers are great, but everything hinges on readers. Period. That includes those who borrow from libraries or share a book a dozen times. The more shares (the more readers), the merrier.