“What is North Noir?” In short, it’s a distinctly Canadian detective series.
The North element refers to how the world sees Canada – as the North; e.g., the Great White North or the True North (strong and free). The novels are set in the northern Bruce Peninsula, Ontario. The victims are contemporary Canadian icons. While they may be famous, they’re also down-to-earth. Good Canadian sorts. But not too good to die. The police procedural work is typically Canadian. There are no extended car chases, helicopter missions, or gun battles. No over-the-top Hollywood clichés. Those things rarely happen here.
The Noir element refers to a tradition of crime writing linked to film noir, to movies such as The Maltese Falcon, which was first a novel. Noir fiction doesn’t dwell on characters’ feelings. Similarly, in the North Noir series, the protagonist, Detective Eva Naslund, is not sentimental, although she is empathetic and intuitive.
The crime/mystery genre turns on whodunit puzzles. Readers expect to be both challenged and entertained. With the Naslund novels, I deliver more than puzzles and blood and guts. I always embed – very deeply (no preaching) – an existential conundrum in my novels. The majority of murders hinge on money. In a word, greed. In my current work-in-progress (the second North Noir novel), the main murderee is killed because of his renunciation of money, his anti-greed. Readers get a baffling puzzle, and, if they’re looking, they’ll find a deeply buried ethical message. For me, all novels – even whodunits – should have an existential core.